With all DSP processing for monitor mixes taken care of on-site, the studio transmission console is able to concentrate purely on the main programme mix.
RP1 can embed all the transmission audio into existing video transport mechanisms, and in doing so ensures that there are no synchronisation issues. Its modular I/O backbone accepts any of Calrec’s I/O cards.
This versatility means RP1 can connect via a range of transports. The studio console mixing the transmission is able to assign these signals where required on the desk, so workflows are exactly the same as any other broadcast. Calrec’s unique True Control system makes it simple to control the RP1 from a control room located many miles away, giving the operator control over RP1’s channels and busses from a Calrec control surface.
In other words, the operator sits behind a console that he is already familiar with and assigns remote channel paths from the RP1 to local faders, just like any other channel.
True Control includes channel path fader levels and cuts, as well as aux send levels and ons, and aux master levels and cuts.
Future development includes VCA linking via the studio console, and control over EQ, dynamics and direct outputs via Calrec Assist.
True Control allows an operator to independently mix all the remote site IFBs and aux buses in addition to the local transmission mix on the studio console.
This is unique to RP1.
In fact, Calrec’s True Control provides the ability to link five independent RP1 units to the same studio-based console – all of which can be controlled from a single console surface.
RP1 is simple to set up and easy to use and enables broadcasters to cover a greater number of specialised events, such as regional or college sports and smaller entertainment events, at significantly reduced cost, making it possible to maintain an increasingly wide range of content.